OT: GoT books vs tv series
Since we are (thankfully) almost done with OT season, I figured I would post this now since a new episode is airing tonight.
I only recently got into GoT; I read the books last summer and streamed the tv series over the last month or so - catching up the current episode this week. Having both fresh in mind, it was no surprise that there were many differences between the two. Yet, it seems like there are a number of plot holes and other issues that could have been resolved with better episode writing (even if different from books). I'm curious to read what the board thinks about it - both good and bad.
Football is coming.
Seems ridiculous now, as books are routinely that long, and epic series are several thousands of pages. But LOTR was so unbelievably ground breaking when it was written that no one knew what to do with it. Tolkien essentially created the "modern epic fiction" genre.
Book 3 (A Storm of Swords) was good with both storyine and characters. Books 4 and 5 were disappointing.
If you haven't watched the leaked episode yet, woah buddy, you're in for a treat tonight.
My wife is an avid fiction reader and she claims that GoT is the sole series where the shows are actually better than the books. I guess prepare to be disappointed?
PS, I also hear that the latest episode was leaked.
August 6th, 2017 at 11:26 PM ^
I started the show first and got invested in it. I read up to The Red Wedding in the books, catching up to where I was in the show at the time... Haven't went back to the books. I enjoyed what I read, but I didn't fall in love with it, like I did the show. To be fair, I haven't been a big reader of fiction in recent years, the show is probably my all time favorite tv show (definitely top 3)... And again, I started with (and fell in love with) the show.
characters like Jamie Lannister be complex and not just black and white/right or wrong. You're missing out dude.
I thought you said that you gave up on the show after a couple of seasons. You wouldn't know what the show has done with the character since, which is a pity, because he is the most complex and conflicted character in the show, by far.
True, but through season 3 or 4 or whatever it was, they were dumbing down his character. Some of that is unavoidable in a show where you can't explain everything. But sometimes they were just changing things to change things.
+1. The Expanse is a great book/TV series. If it was on HBO or AMC instead of SYFY it would have a much larger following. The twists in Books 2 and 5 are "Red Wedding" level game-changers.
People who didnt read the books are going to flip their shit when the big surprise from the very end of Caliban's War happens. It's going to be fun
one of the guys who write the expanse WORKED for Martin as an assistant. The big difference seems to be that the Expanse writers actually know how to complete their books. I love Martin's writing, but damn, the dude is the slowest damn writier on the planet. I love the fact that the Expanse books come out every year and the quality is consitently top shelf.
When they took the job, they were adapting books into a tv show. Now they're trying to write a story that the author can't even figure out how to finish.
I don't believe this is true. I think I even read that Martin told the producers and writers how the books will end, in specific detail. I think he has most of the last two books written as well (again, IIRC). I think he is just having a hard time filling them out and finishing them up, given that the psycho-fans of the books are expecting 1,500 page epics like the first 5 books, and he is burned out by the project.
Yeah, that sounds right. I didn't go back to find the article I read, but I think you're correct. Regardless, it's not the case that Martin "doesn't know how the books will end," it's more that he hasn't outlined every detail. Regardless, I doubt the show runners are just making up important plot points without a lot of input from Martin; if they did, the books could be way, way off, and that doesn't seem like Martin's style.
The producers aren't making up plot points, but they are making up all the dialogue and details between the plot points. They've done a good job making the dialogue sound like something from Martin's books, but they no longer have the option of using Martin's dialogue nearly word for word as they did in some of the first few seasons.
I really just wanted to point out that there's a difference between writing a screenplay/television show using an outline/summary/cliff notes and adapting a screenplay/television show from a book.
Note: You may have responded before I changed "doesn't know how the books will end" to "doesn't know how to finish the books."
Yeah, I think this is all 100% correct. S7 E3, in fact, seemed extremely rushed, like storylines Martin would have unfold throughout an entire book. The Unsullied sail from Dragonstone to Casterly Rock, and take the castle, while the Lannister armies travel overland from Casterly Rock and take Highgarden, while the Ironborn have time after destroying Yara's fleet near Dragonstone to still make it to Casterly Rock to destroy the Unsullied fleet, all in one episode??? I'm not going to totally nerd-out and calculate all that based on known distances and rates of travel (Westeros is absolutely huge in the books, which many people don't know based on the show only, with a distance of 3000 miles from the Wall to Dorne, greater than the distance from NYC to LA), but that was months and months of travel right there, I think. The running S7 joke is that teleportation technology was created between S6 and S7...
I must admit that I don't understand the argument about Euron's fleet. He intercepted Yara's fleet (which left Dragonstone when the Unsullied left) and then followed the Unsullied to Casterly Rock, geting there just after they did.
Now, him knowing where to be tells us that he knew where they were going, and thus that there is a traitor in Dani's camp *coughVaryscough* Clearly time passes quickly in the episode; Jaime arrives outside Highgarden one minute and is inside the gates the next. Clearly, there would have to be siege preparations, assault equipment fabrication, wearing down the defenders, etc, but that all takes place off-screen. Jon is in Winterfell at the end of Ep 2 (when Yara's fleet is attacked) and in Dragonstone at the start of Ep 3 (before the Unsullied fleet is attacked). So, yeah, a lot of time had to pass. If Euron had to sail 2000 miles to get from where e attacked Yara's fleet to Casterly Rock, that was maybe 20 days with good winds (and he had wind magic of some sort, remember). It wouldn't have taken him "months and months" unless he sailed the other way around the world.
I used to get caught up in how "uncrealistic" it was for characters (Littlefinger especially) to get around the continent so quickly, and then had the epiphany that I was missing the forest for the trees. There's not necessarily a set time period (or even a linear one for that matter) between scenes, episodes, and seasons. Better to just enjoy what we get to see rather than argue that we should have had to wait an entire season for someone to get somewhere to see what they would do for realism's sake.
My preference is absolutely for the storyline from the books (maybe helped by reading AFFC and ADWD simultaneously according to the 'Boiled Leather' reading order). I thought seasons 5 and 6 of GoT were somewhat disappointing overall, with great action moments.
But God damn if season 7 hasn't been fantastic so far (I've already seen the leaked episode 4 and all I'll say is it's incredible). Every episode has been better than the last, and I think as others have mentioned, the best approach is to enjoy them both for what they are, and realize the 'show ending' may be the only one we get.
Agree that comparing the books and the show is pointless, as they are different mediums with different requirements.
I would not that both badly bungled the Dorne storyline: Martin, by being too verbose and complex, the show by cutting so many corners that the result was simply not credible. The show did do Oberyn perfectly. The writers and Pedro Pascal did a better job portraying Martin's idea of the character than Martin did himself in his writing, IMO.
I guess I've enjoyed Dorne in the books. The fact that the show basically decided to skip over that plot virtually completely just gives me the sense that it's irrelavent to the end game, as they (out of necessity) have to cut to the chase.
Benioff and Weiss transparently hated AFFC and ADWD, and especially Dorne. So they butchered them in ways the plots don't even make a cursory amount of sense. I suspect (F)Aegon and all of that stuff will be fairly important if WOW ever comes out.
Read the books and watch the shows both. I think they both have their merits and there are some differences that matter. But both are truly incredible, IMO...
I read all the books. I think the first 3 books are better than the first 3 or 4 seasons. Then the next seasons are better than books 4 and 5.
Book 4 especially, just introduces a bunch of new characters that you have little to care about. And his editor let him desrible everyone's breakfast.
I find the series better, the books help explain things and allow you to come up with new theories. However, Books 4 and 5 are really slow. I think he spent 200 pages on the Kingsmoot in the Iron Islands, while the show spent 5 minutes.
Books 4 and 5 needed better editing, hence people reading them out of order.
Almost everything of this scope will have plot holes and the biggest problem now is pacing of the show.
"Book 4 especially, just introduces a bunch of new characters that you have little to care about."
I don't think he had much choice: He'd killed off so many that he had to bring more in. Otherwise we'd have had 200 pages on Cersei picking out clothes to wear for the day.
Have a 1000 page book instead of 1500.
I may be confusing 4 and 5 so point taken
Book four is the second best one! It's also the thematic core of the whole thing, particularly with Meribald.
Feast for crows is the meta book where GRRM takes the time to explain the consequences of all the action. In a way AFFC is the meaning of the whole story, the rest is just zombies in old english...
August 7th, 2017 at 10:22 AM ^
Or it's a hippy who was JUST a little bit too late for the 60's indulging in his need to make meta-comments about how much he hated Bush. There are some redeeming qualities to book four, but it's also the point where his, "Needs to listen to his editor" came out. Book Five is only improved by the fact that his hippy-rage was somewhat soothed by having a new President. God only knows what book six will look like(if he's even written anything beyond the samples on his website, which Frankly I doubt very much).
GRRM plays a mean zombie. And yes, that is actually him.
August 6th, 2017 at 10:40 PM ^
Zombie GRRM writes faster than real GRRM.