Apparently it's ND Nation week on MGoBlog. Eh.
This is, without question, a first:
I was there too, with a UM friend of mine. He was at the UM game against WMU the weekend before, and he said the music was not played that weekend. In fact, he said he's never heard music played at any Michigan home game. Yesterday was his first ND/Michigan game in the Big House. Maybe it's just something they do for us. Wouldn't surprise me.
We both thought it was bulls---. With those new press box/fan suite things they've built at the top of the stadium, that place got really loud. The Eminem songs only made it worse.
I guess that's why they call it home field advantage.
Leaving aside this guy's probably-fictional Michigan friend who went to the Western game and didn't notice the RAWK MUSIC, this is an opposing fan complaining about the noise level in the stadium. Even if this is just more complaining to complain, it's still a 180 from the usual laughter at the 110,000 quietest people in America or whatever. As a group of people naturally inclined to laugh at all things Michigan, statements like this are as close to proof as you're ever going to get about the effect of the new boxes:
I thought the place seemed so much more intimidating
by BigEND (2009-09-13 21:09:28)
with the skyboxes there. It was louder and felt like you were really in a "big house". I still can't understand why so many people complained when the plan was originally announced. That stadium will be 10 times better with those boxes finished.
You and me both, BigEND. Meanwhile, email from people who would know confirms the third-party impressions:
I attended the WMU game with siblings who are recent graduates and former band members. The word they got from contacts still in the band is that the on-the-field noise is significantly louder, even if it doesn't seem so to the layman sitting in the 67th row.
Without having any sort of technical knowledge, my guess is that the new structures are aiming sound back into the bowl. Clearly not all of it, but enough to make it louder the deeper you are inside. (That's what she said?)
So, it might not seem much louder to us, but clearly LOUDER FIELD > LOUDER STANDS from a competitive standpoint. In other words, my screaming is more directly helping Brandon Graham to murderfy Jimmah this weekend.
And this was just for Western. The initial take, then, appears to be that the optimistic projections this blog's scoffed at more than once are basically accurate. The luxury boxes are a huge aid to the noise on the field to the point where complaint-inclined opposing fans focus on it. This is a major win.
So, then, the other matter at hand. Last week everyone had a little conniption fit and I posted a poll about whether piped-in music should be slain out of hand or not. The results:
Of the 75% who care, respondents were evenly split between pro-and-con, but the con side was more strongly opposed. This was shocking to me, but I guess this blog's readership skews away from bluehairs. I also have one main explanation: it's the band's fault. Multiple band members have sent in emails about the shift in the MMB's focus over the last ten or so years, and 90% are along these lines:
I was in the band for the last few years of Professor Nix's turn at the helm, from 2003-2007*, and I would say that there was plenty of "blame" to spread around for the quieter band. During my years, we frowned upon bands like Notre Dame's that would sacrifice precision for loudness. I believe most of us felt this way, and while it's reasonable to say this mentality started at the top, which would mean Professor Haithcock, I think Professor Nix and his appreciation for the newer, drum corp influenced style of a marching ensemble was the biggest factor. And now, with Director Boerma, who also has strong drum corp ties, I'm sure that influence is just as strong or stronger. But, Haithcock did hire them, so we can just blame him.
I've got other emails claiming Nix was a huge proponent of loud and that Haithcock asked about making the band louder and etc etc etc and I don't care about who is at fault for what, all I know is that the main reason that poll above came out the way it did is because the band is not doing its job. Saturday I could barely make out the Victors on any of Michigan's touchdowns. About the only thing I heard at halftime was the drum corps. I've gotten plenty of complaints from kids in the student section who say they can barely hear the band and it's 30 rows away from them.
This does not have to be the case. I vividly remember going down to Auburn last year. I sat in the upper deck on the 40; the LSU band was stuck in the corner of the opposite endzone, and I could hear them loud and clear. They were blasting it. Auburn's band was also louder than the MMB. Click the link and see where we were, man… we were in orbit around a football game.
And then there's the SWAC:
That's Southern University making a strong argument for Michigan scheduling a SWAC school, any SWAC school, the next time it reaches into the I-AA ranks for an opponent.
What's the point of a marching band? To be audible outside in a stadium of 110,000. If you want musicality, there are a dozen other bands on campus you can join. Scott Boerma and his superiors are completely missing the point, and if the band is being marginalized on gameday it is entirely their fault. Personally, I hate it. I want the band to be awesome and wish piped-in music would die a fiery death. But when "Lose Yourself" gets vastly more reaction than anything you do and large sections of the stadium can't hear you at all, that's on you. What the hell is the point of a piccolo when the only people who can hear it are the ones playing it? Have you ever thought about the poor schmucks in section 16 who have never once heard The Victors after a touchdown? Think of the children, and do this:
On the band: I used to play clarinet in the Ann Arbor Huron marching band. (Why? Beats me. I should have learned how to play guitar like Slash instead.) Clarinet, while fine inside, is a waste of time outside. It cannot be heard. Ditto the flute and the piccolo.
What the MMB needs to do is (1) get rid of all the clarinets, flutes and piccolos, and (2) add 150-200 more trumpets and trombones. Made the band bigger, and sacrifice a measure of technical proficiency (which 98% of the crowd wouldn't notice) in exchange for a big ol' Wall of Sound.
Or something. Your prime directive should be loud; if it's not no one can help you fight your slide into irrelevance.
PS: and dammit the hockey band director should dance, you communists.