nik stauskas is not human

spoiler: this went in [Bryan Fuller]

Welcome to Let's Remember Some Games (RIP Deadspin), a series in which we remember some games. It's self-explanatory. There's no criteria for the order, sport, date, or anything else; if a game strikes our fancy, we're gonna look back on it. Today's choice: Michigan basketball at Illinois, March 4th, 2014.

The Backstory

the backcourt was as good as the shorts were bad [Fuller]

In the final week of the regular season, Michigan traveled to Champaign with a chance to clinch the outright Big Ten championship for the first time since 1986. Despite their run to the national championship game the previous year, John Beilein's team wasn't a lock to get here—they'd lost Trey Burke and Tim Hardaway Jr. to the NBA, then injury cut short an expected breakout season from Mitch McGary in mid-December.

Nik Stauskas and Caris LeVert proved a formidable lead duo, however, bolstered by a strong supporting cast featuring Glenn Robinson III, Jordan Morgan, a freshman Derrick Walton, Spike Albrecht, Jon Horford, and freshman gunner Zak Irvin. Stauskas was in the running for Big Ten Player of the Year.

Illinois, meanwhile, bounced back from a 2-8 start to Big Ten play after second-year coach John Groce—two years removed from knocking off Michigan in the NCAA Tournament as Ohio's head man—settled on a rotation that worked, particularly on defense. The Illini had moved into fringe tourney contention with three straight victories, most recently upsetting Michigan State at the Breslin Center, and they'd held their previous four opponents below 50 points. To add to their motivation, this game was their Senior Day, and it drew a national television slot on ESPN.

It'd be a shame if they got embarrassed in front of a national audience. A real, real shame.

[Hit THE JUMP for, well, you understand foreshadowing.]

that's a bucket [Eric Upchurch]

Previously: Part One

After looking at Michigan's stellar pick-and-roll production and how they do it last week, I dove deeper into Synergy's database to try to put this year's team in a historical context. At first I was just looking at other lead ballhandlers, then I was putting tables for every season together, then I realized I needed to add the screeners to the equation and look at how each team varied their P&R attack to do this right.

So what was going to be the second half of this series is now the second of either three or four parts. I'm trying not to make these too long to digest. These posts are going to be heavy on Synergy's stats, so I want to make a few notes before going any further.

While Synergy uses the terminology "points per possession" to describe how they measure production, that's very misleading when you're used to looking at KenPom. I'm switching over to describing Synergy stats as "points per play." The distinction is described in this useful Cleaning The Glass post:

CTG distinguishes between possessions and plays, and this distinction is important when diving into context information. A possession starts when a team gets the ball and ends when they lose it. A play ends when the team attempts a shot, goes to the foul line, or turns the ball over. If a team gets an offensive rebound, that results in a continuation of a possession but a new play. So a possession can have multiple plays.

Play contexts are per-play, not per-possession. For example, a team might come down in transition and miss a shot, get the offensive rebound, kick it out, and run a halfcourt set. Then might miss that shot but get a tip in to score and end the possession. That was all one possession, but three different plays and three different contexts: the first shot was in transition, the second in the halfcourt, and the third was a putback.

Because offensive rebounds start a new "play" within a possession, points per play are inherently going to be lower than points per possession. To help contextualize, I've included each player's national percentile rank for that season along with their stats.

For ballhandlers, "own offense" includes plays that finish with a field goal attempt, shooting foul, or turnover. "Passes" measure the result of shots that come as a direct result of the ballhandler's pass out of the pick-and-roll. "Keep percentage" is a stat I added myself that simply measures the percentage of a time the ballhandler uses his own offense instead of recording a passing play—Michigan has had players arrive at similar efficiency despite sporting very different styles.

an enjoyable pick-and-pop example

For screeners, you mostly just need to know the difference between popping, rolling, and slipping a screen:

  • Popping: setting the screen and then stepping out (usually to the three-point line) for what's almost always a spot-up shot. Occasionally a more versatile big man will drive off a pop. Think Moe Wagner.
  • Rolling: setting the screen and then going to the basket in the hopes of getting a layup/dunk. Think Jordan Morgan.
  • Slipping: faking the screen before running to a predesignated spot—usually the rim, sometimes spotting up if it's a Wagner-type or perimeter player—as a changeup to keep defenses from overplaying the ballhandler.

As a general rule, points per play are going to higher when the screener finishes the play than the ballhander because of the nature of the pick-and-roll. A pass is usually going to be thrown to an open man when the play works; while the ballhandler could take a shot because he got open himself, he also usually has to finish the play if it's well defended.

Consider the degree of difficulty of Zavier Simpson's or Cassius Winston's shots; it's hard to be a really efficient scorer off the pick-and-roll. Morgan, while a great roll man, often just had to catch the ball and finish an uncontested shot at the rim. Most of Wagner's pick-and-pop threes went up without a real shot contest. This makes sense: there's little reason to pass the ball to your big man if he isn't open. Teams also often default to a quick screen in late clock situations, which tends to create more difficult shots the ballhandler has little choice but to take.

The other thing to note in the screener stats: under number of plays in each category, "%" shows the percentage of the time each player popped, rolled, or slipped out of their overall screener plays used. The "%ile" under points points play in each category, however, measures percentile national rank. I realize this is a little confusing but I couldn't come up with a better way than Synergy in this case.

With that out of the way, let's dive in.

[Hit THE JUMP for a year-by-year history of Michigan's pick-and-roll offense and what we can learn from it.]

The Sponsors

This show is presented by UGP & The Bo Store, and if it wasn’t for Rishi and Ryan, MGoBlog would be like if the basketball program stuck it out with Amaker all these years.

Our other sponsors are also key to all of this: the Residence Inn Ann Arbor Downtown hosted us (and the Wagners last week), the University of Michigan Alumni Association might know a guy, Ann Arbor Elder Law might've come up with a better retirement plan than Cleveland, Michigan Law Grad will get you out of a ticket if you're racing to lock up a star assistant, Human Element is about to unleash the greatest posbang in the site's history, the Phil Klein Insurance Group is about to be contacted about a very bad policy, Peak Wealth Management is about to have a new client, and HomeSure Lending was probably like Alonzo Mourning dot gif when he heard who just stole Beilein.

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1. Now What?

starts at 1:00

We review the candidates who've come and gone. Ace warms to Yaklich after hearing the names after Juwan Howard. Speaking of Juwan Howard: about the best resume for an assistant you can possibly have. Porter Moser is not on this list.

2. Best of Beilein: Honorable Mentions

starts at 29:31

We all made lists of our top Beilein-era moments, and those lists did not fit into a Top 10, nor a Top 15, nor a Top 20, so here's all of the things that didn't make the list—it's a long non-list.

3. Best of Beilein: 11th-20th

starts at 1:07:07

Now we give our lists. Except we need to talk about our top moments for so long that we're going to need another segment before we even get to the top ten. Sorry not sorry.

4. Best of Beilein: 1st-10th

Starts at 1:39:30

Some you know. Some you're just going to get mad about. A few are obvious, but not in the obvious spot. This is really hard. There's probably a Smiths song in the Music.

MUSIC
  • "Cemetery Gates"—Leah Blevins
  • "Holding On"—The War on Drugs
  • "End of the Road"—Boyz II Men
  • “Across 110th Street”
THE USUAL LINKS

It's very on brand that we fit Denard onto this list