frank beamer #1
100% worst thing ever
“Sometimes, there's a man, well, he's the man for his time and place. He fits right in there. And that's the Dude, in Los Angeles… But sometimes there's a man, sometimes, there's a man. Aw. I lost my train of thought here. But... aw, hell. I've done introduced him enough.” –The Stranger, The Big Lebowski
In mid-2010 I got hired by a bank to be a
Customer Service Representative teller. This put me on the front lines of the never-ending war between people’s money and the financial organizations that hold it. I learned very quickly that there were two things that could turn a mild-mannered citizen into a venom-spewing troglodyte: bank fees and Rich Rodriguez.
I loved when people came into the bank wearing college gear because it meant I’d be able to easily strike up a conversation about football, and people are a little less likely to verbally assault you when you’re able to find some common ground. The operative word in that last sentence is “little,” but I digress. By the fall of 2010 people were so fixated on the abject disaster that was Michigan’s defense that they willfully ignored how incredible the offense was. This was the fuel they needed to turn the “RichRod isn’t a ‘Michigan Man’” fire into a raging inferno, and it got so out of control that I talked to people who were even criticizing Rodriguez’s wife for not being Michigan-y or Michigan-ish or something crazy like that. At one point someone complained to me about her having blonde hair.
The Microscope of Public Scrutiny was so zoomed in on Rodriguez and everything surrounding him that Dave Brandon was able to make the Free Press look stupid and then lie in wait. At some point in 2010 Brandon’s opinion aligned with the bank’s clients; to them, the Rodriguez experiment had failed. Enter: Brady Hoke.
Hoke represented everything that the anti-Rodriguez movement wanted: familiarity with the program, a defensive background, and the mixture of self-oriented humility manifest in his claim that he’d walk across the country for the job and the program-oriented bravado in the interminable fergodsakes claim.
The honeymoon phase lasted a full season, but by the end of Hoke’s fourth year the program was in a place similar to where he found it, a place all too familiar to Michigan’s fanbase. One side of the ball was above average, but the other side was in such shambles that the team collapsed under the dead weight.
"Once we get the power play down, then we'll go to the next phase. You know, because we're gonna run the power play."
Brady Hoke, 3/23/2011
The transition from Rich Rodriguez to Brady Hoke was like switching from cold brewed coffee to run-of-the-mill drip coffee; a move away from the newer, higher-octane movement and toward what felt more traditional, the tried and true. The fallout from this was immediately apparent in the speculation that one of the most dynamic players to every don the winged helmet might transfer to a school with an offense better suited to his talents (i.e. a school that wouldn’t put him under center and have him hand the ball off).
In what may be one of the most significant events in program history (more on that later), Denard stayed. Al Borges still tried to put Denard under center and Michigan did rep power, but there were enough zone reads incorporated to allow Denard to continue waking up opposing defensive coordinators in cold sweats. You know all of this. You watched it unfold. That also means you watched crimes perpetrated against manpanda and an offense hell-bent on skinning its forehead running against a brick wall before finally, mercifully, abandoning their MANBALL-big-boy-football-noises ideals and exploding out of the shotgun.
This piece is intended to be the counterpoint to the memory’s emphasis on the spectacular. The intent isn’t to accuse, but to take a more calculated look at what exactly happened to Michigan’s offense over the last four years and see where things went well, as well as where and how things stopped functioning.
[After THE JUMP: charts and tables]
the last of the famous international playboys
This rumor had been floating around for a couple weeks now, picked up steam on Rivals this morning, and has now been confirmed by Nick Baumgardner:
ANN ARBOR -- Dennis Norfleet is no longer a part of Michigan's football team, according to his former high school coach.
Martin Luther King High School football coach Dale Harvel told MLive on Tuesday that Norfleet has been dismissed from Michigan's program by coach Jim Harbaugh.
"Evidently he was dismissed from the team, Dennis informed us he was no longer on the team," Harvel said Tuesday afternoon. "Something about a disciplinary thing between him and coach Harbaugh. Whether it was academics or something internal, I'm not sure. He just said they had a disagreement and he was let go."
I have heard it was academic. Not sure if that's a slackness that is now verboten under the new regime or a Norfleet morale issue leading to breakdowns elsewhere. [UPDATE: Steve Lorenz says he skipped "more than one final."]
The writing was on the wall as far as Norfleet's career went when he featured as a tiny cornerback in the spring game and was mercilessly picked on for the only offense of the day. With that secondary and that WR corps, the fact he was on defense was a death knell. He may have continued returning kicks and punts; even that job was going to be put under major threat by Jabrill Peppers.
This does get Michigan to 85 scholarships, give or take a walk-on. With a couple of medical hardships likely to be on the way, there should be room to add a fifth-year WR or two, as Mike Spath has suggested might happen.
I will now go sit by myself in a dark room and listen to the Smiths.
Recruiting rankings and outperformance
Good afternoon –
Beilein has developed a reputation for being a stellar recruiter. He is now known for uncovering basketball players who were either lightly regarded, lightly recruited, unknown, or young, so that they grew and developed significantly after he recruited them. (Burke, Rahkman, Dawkins, Albrecht, LeVert, and now Moritz Wagner all fall into this category.) I will be interested to see how Harbaugh and his staff correlate to Beilein in this regard. In one sense, every fan wants every recruit who comes in to be a 4 or 5 star rated recruit. But the reality is that the coaches sometimes see things that the rating experts missed. This has been an on-going discussion: how much do stars matter? I think the correlation of Wagner and Kingston Davis committing today brought this topic to my mind.
So, my questions and requests for you:
1) I’d love to see a table showing recruiting ranking vs. actual performance. Who ends up bring in recruits who significantly outperform their ranking, who brings in recruits who perform the way expected, and who brings in recruits who underperform, relative to how they were ranked.
This is too hard to do for basketball since there are very small and wildly varying recruiting classes. Last year Michigan brought in six players; this year it looks like it will be just one. A couple years ago Ohio State's recruiting class was… nobody. The attrition rates are wildly different so recruiting rankings, which always favor volume, are going to be skewed. You can point to anecdotes like Beilein turning fringe top 100 recruits into lottery picks on the regular; I don't think it's possible to do anything systematic with the numbers.
Football does give you a reasonable baseline to work with and this has been done by Ross Benes at Deadspin. You will be unsurprised to find Michigan where it is in a study that covers 2009 to 2013:
I am a bit skeptical about the methodology here, as it doesn't seem to account for the fact that there's nowhere to go but down for the teams at the top of the rankings. (It also doesn't take last year into account, which is why Michigan State isn't in the Wisconsin zone.) But it's still good for comparing you to your peers and the result is undeniable: amongst teams that recruit like Michigan, only Tennessee and maybe UCLA perform worse; Miami is on par.
2) The followup question would be to assess how much of this is attributable to a recruit being ranked accurately and appropriately, and much is attributable to the recruit’s development in college. The knock on Hoke wasn’t recruiting: it was the belief that he didn’t develop players to perform to the best of their capability.
Thanks, best regards, and enjoy the balance of the Spring.
No doubt it is some of both. Recruiting rankings are necessarily ignorant of a number of things that will influence the development of the player—ACL stability for one. But it's clear that some guys are awesome teachers able to improve players and others are guys who clap and shout "let's go." It's nice to see Stanford on the right side of this ledger even after Harbaugh's departure since many of those coaches were his, and he set up the culture that lifted them from the bottom.
I think that perhaps I don't understand what goes into the APR and was hoping you could help me understand. I thought (although it appears incorrectly) that APR measured the percent of a school's players with remaining eligibility that return to school, maintain that eligibility academically, and/or graduate. With 7 Kentucky players declaring for the draft (following several years of many more declaring), it would appear that Kentucky couldn't possibly evade APR penalties because legions of eligible players have not and will not be returning to school. Is there an exception for going pro that I'm unaware of? Is Kentucky's APR really only measured by whether their mop up players stay eligible and graduate, without regard to the majority of the team that goes pro?
That is correct. The APR has a loophole for players who leave school early for pro sports. You don't even have to get drafted to take advantage of it—NCAA-sanctioned UConn men's basketball started digging out with a perfect score this year despite a player leaving for Europe. He signed a contract overseas and left in "good academic standing," so he doesn't hurt UConn's APR.
As a result of that loophole all Kentucky has to do is gin up some Cs for the NCAA minimum progress toward a degree and their APR is untouched. It's probably in fact easier for them to comply with APR stuff because all they have to do is get their kids to go to Easy Class 101. Few end up having to move on to We Kind Of Need You To Pay Attention Now 386.
On the one hand, you need that exception because it's not the school's fault if, say, Nik Stauskas blows up into a top ten pick and wants to go get paid millions of dollars. On the other it does enable the travelling circus that is the current one-and-done system.
Medical hardship logistics
Hey Brian --
Recently there's been significant attention paid to key questions facing Michigan basketball this offseason (Will Levert go pro? Will Jaylen Brown commit? etc.). All of the discussion seems to operate under the premise that either Austin Hatch will continue to take up one of the 13 scholarships the team has to hand out, or the team will place him under "medical hardship." I have two questions.
1) What does this medical hardship entail? Would it be 100% career-ending? Would he no longer be able to practice and play with the team?
A medical hardship allows the school to continue giving the kid a full scholarship. It would end his playing career at Michigan. He could still be affiliated with the team, could still practice (there's no regulations on who you practice with in college; womens' teams will often go up against guys). He could not get in the game. He would be a student manager, basically.
Michigan might be able to get a waiver for senior day.
2) Why has there been no discussion of freeing up Hatch's scholarship to use on, say, Jaylen Brown or Mike Edwards, by making him a walk-on? I'm assuming there are other ways the University can make sure all his tuition bills are paid for. At the very least, paying for Hatch to go to Michigan is worthy of $200K of the millions of dollars the athletic department has gotten from Stephen Ross or Al Glick.
In other words, maybe we don't have to choose between keeping Hatch on the basketball team and bringing in another scholarship player of Jaylen Brown's caliber, should LeVert choose to come back.
Once you've been on scholarship, you count as a scholarship player even if your money supposedly comes from a source than the athletic department.
There are in fact certain things that you can do when you are just a recruit that make you count as a scholarship player, something that football teams have been dancing around of late with this "blueshirt" thing where kids arrive on campus as walk-ons. Those kids can't take officials or they end up counting against the limit of 25 signees annually.
Again, this is a situation where Michigan might be able to get a waiver since it's very high profile. Without that Michigan cannot use Hatch's scholarship without disqualifying him from playing.
Buy it and burn it.
I am so upset about this I had to share...
The above Ebay link is for a new Devin Gardner card with a sick & twisted "variation" of the winged helmet. This just is not right! I don't see how Upper Deck can get away with messing with our helmet design and printing this card.
Is that a sugar cookie made by a deranged aunt on the card? Why is anyone making a Devin Gardner rookie card and is it even slightly possible that any of the bids on this travesty are legitimate? Supposedly this card is up to 16.05 with four different bidders. This makes me want to find a WIRED article about the shady lives of professional EBay sellers or something. I have a million questions.
— A2Forever (@AnnArborRules) April 9, 2015
Gonna go with "no" on this one.
So this week a group of a certain kind of idiot students tried to get the student body to fund a Frankenstein-ian effort to
replace compete with the best fight song ever composed. Once the entirety of the soul-possessing Michigan fanbase wanted to slap them in the face, they withdrew this petition to make way for an amended version that makes it clear they'll keep The Victors alongside their proposed abomination.
Today they're still fighting—one made a radio appearance to complain that his talking points were getting all scrambled in the mad rush to explain to him just what a bad idea this is. In the show he clarified a number of things, like that they've gone to "many" student groups to get more spoons into the kitchen, and addressed important things like the song's branding and a documentary film about how it was made, but haven't actually, you know, written any song. He also emphasized that they don't want to get rid of the The Victors (just have it compete with their self-aggrandizing golem), and expressed hope that it would get picked up around the country, like how Jay-Z's Empire State of Mind became a sort of anthem for the Yankees.
Ace and Brian already addressed how the thing and the guy proposing the thing are ridiculous (and Brian had to explain his tongue was in his cheek afterwards). Since the offseason generates user content at a slower pace, in lieu of Dear Diary* this morning I wanted to talk about what's so irreplaceable about The Victors, and provide a little deeper discussion on the topic than the prima facie "ungh that's horrible."
Change? Michigan has, in fact, changed its fight song several times in its history. Most notably, they replaced The Victors with Varsity for a time, because once Michigan had rage-quit the Western Conference, "Champions of the West" no longer made any sense.
An early favorite, and still the opening of any glee club concert, was Laudes Atque Carmina (Praises and Songs), written by Charles M. Gayley, class of 1878, and arranged by Albert Stanley. Here's the line I love:
Oohhh decus omnium
O salve Universitas Michiganesium
What a perfect description of the Michigan zeitgeist: "Glory and Victory—oh, and be virtuous in everything while you're at it please kthx."
|Apparently we have to explain why this is worth keeping around.|
This is probably a more applicable sentiment today than hailing long-dead heroes for conquering Maroons and Fighting Methodists.** But it's also in Latin, and dated, and pedantic, and most importantly nobody knows the words unless they've done glee.
The anthems of Michigan's songbook† range in tenor from bawdy drinking songs to, well, pretentious drinking songs. The majority of them come from before World War II, and for a very good reason: that's when people used to sing a lot.
In the time before recording/playback devices, the way a hit song spread was by printing the sheet music. The way they got music into a bar was to get everyone in the bar to sing it. Michigan students would bring their songbooks to dinner, or dorm meetings, and certainly the game. As many students knew the verses to The Victors as could name the quarterback. The most typical extra-curricular activity was to cross Division‡ to their favorite pubs, fill a mug, and join the chorus.#
For thousands of years, getting drunk and singing together was one of the best parts of a human existence. Psychologists even found that most peoples' brains are wired to fire off the same happy feelings you get from love or a massive success when belting out a song surrounded by friendly people doing the same (no matter how it comes out). Biologically, we sing our fight song for the same reason we gather with 113,000-odd people to watch college football: The Natural High.
These things are not manufacturable; they are eruptions from abnormally articulate ids that by astronomical odds came out both cogent and catchy. The chance of finding one is the same likelihood that whatever just escaped from this guy…
…just happened to be organized into a comprehensible language that both rhymes and fits a Souza meter. Mankind's best effort to R&D this phenomenon resulted in heroin.
This stuff has to come from a random and deep subconscious because the brain cannot devise its own distraction.‖ Football came out of some students with a field and a ball who wanted to get their rrraaaarrrgh out. The Victors came out of Louis Elbel in the following state:
My spirits were so uplifted that I was clear off the earth, and that is when “The Victors” was inspired. To my thinking, Michigan Spirit needed a fitting paean, a clarion call — something simple but grand and heroic, something to let out on. Very shortly the strain of “Hail to the Victors” came to mind, and gradually the entire march. I am interested in the psychology of composing, but never have been able to answer satisfactorily just how a “tune” originates in my head. It is easy enough to make tunes, but sweeping, inspiring strains are not made — they flash unawares. And so it was with “The Victors.”
The Victors, like college football, is a weird configuration that happened to bring out a mass, biological, positive feel. Finding a thing like that is like capturing a moon: if it's a little un-genuine it'll crash, and if it's a little unpopular it'll shoot off into space, and if it's not awesome nobody will notice it.
Hail and Unite, then, is the equivalent of Disney suggesting we add a 1,000-mile radius Mickey Mouse (or maybe a Jar Jar Binks—we don't know—but we are talking to lots of interest groups and might have it designed by Bill Watterson and Matt Groening, and our marketing program uses lots of power words) to Earth's orbit, then saying it's okay because you still plan to leave good ol' Luna in the sky for the sake of the traditionalists.§ Even suggesting this shows a staggering misunderstanding of where moons come from, the physics involved, or why people like the one we have. You should not be involved in anything having to do with moons.
Could there ever be another song added to the pantheon? Yes, absolutely! It's a very big bowl; there is room for more than The Victors, and Varsity, and the alma mater, and Let's Go Blue, and the cowbell, and Hawaiian War Chant, and Temptation, and the shortened version of Temptation we sing to rub in the fact they have to give us the ball back now. Most of the glee club's lineup is pre-1940 for the reason above, but every half century or so one of the many new arrangements is canonized.¶ There could be a young savant sitting in the Music School right now who, in the course of a jubilant, all-maize bus ride from Columbus to Ann Arbor late next fall, will gurgitate a timeless thing that'll trick all future generations of Michigan fanbrains into releasing their jealously guarded serotonin.
There's a reason only a handful of schools have found their "Hail!", their "Ramblin' Wreck", their "Rocky Top" or their "Echoes." If you need Eminem (or the version of him you can get for $1,000) to make it cool, you're doing it this way:
the internet never forgets.
And if you're ever talking about how to market a work of art before it's even created, you are doing it exactly wrong.
* Dear Diary in Latin is "Carus Commentarius" and I am highly tempted to change the name of the column to that.
** Chicago and Northwestern
† One claims Ann Arbor should rank with Socratic Greece and Newton's Oxford. There's another called "Michigan Men" that begins with the line "Rum pum pum pum! Rum pum pum pum! Yiddy yiddy iddy yiddy Um pum, Um, pum, Um pum um." Another you might have heard is I Want to Go Back to Michigan.
‡ Division Street is named such because it was literally the division between the city and campus, which was dry.
# Little Brown Jug was one of the most popular bar songs of the early 20th century, if you ever wondered how an oversized, half-blue/half-maroon cask that used to be white got termed as such. If some local bar wants to start a 1910s-style drink-and-sing night I am so there.
‖ You can't hypnotize yourself, for example.
§ And the Michigan Alumni Association on it.
¶ The last was Michigan Remember, a poem from 1963 and set to music in 1993.
So a business school student and his LSA buddy had a spectacularly bad idea. No, we don't need a new fight song to pair with The Victors, the best fight song in the long and storied history of fight songs. That suggestion alone is enough to make an idea very bad indeed, but what sets this bad idea apart is the details. Lord almighty, is this just the worst of ideas. Why?
WE ALREADY DID THIS. Remember "In The Big House"? Dave Brandon already tried this. When Dave Brandon tries something, it means you should never, ever try to do that thing again.
WHY IS THIS EVEN A GOAL?
“This project is meant to be, number one, extremely unique,” Weiss said. “The goal of this song is to get a lot of big names that are associated with the University.”
I'll try to ignore that the kid called his unoriginal and terrible idea "extremely unique" and address the idea that the University of Michigan needs "big names" associated with it.
I think we're good, thanks.
FINE, LET'S HEAR YOUR BIG NAMES.
While the song’s lyrics and tune are still undetermined, Weiss said it is the organization’s aim to involve big names in the music business and University alumni to contribute to the song. For example, he said Weinberg wants to get Eminem involved.
Weiss also said that David Banner, a rapper and music producer, has already agreed to produce the final product.
I'd laugh if not for the overwhelming feeling this guy is serious, which makes me quite sad. Let's start with Eminem.
- Not an alum! You probably knew that.
- In fact, his daughter goes to Michigan State.
- Peaked in 1999, hasn't made good music since 2002. His new music is basically the old music with more yelling, less novelty, worse production, and an unfortunate amount of auto-tune.
- Is gleefully misogynistic and homophobic in his music, which probably isn't the ideal way to represent the University.
- Charges in the neighborhood of $30-40K per verse, so not only is he a bad idea, he's an expensive bad idea.
In the other corner, we've got David Banner, who's from Jackson, Mississippi, and is inextricably associated with Southern rap. His solo career peaked in 2005 with the club single "Play" and he hasn't released a major label album since 2008. It's a little shocking that a current college student would suggest David Banner, because I feel old playing "Cadillac on 22's" in my car. I can't imagine most students associate the name David Banner with anything outside of the Incredible Hulk.
HERE'S WHAT AN EMINEM/DAVID BANNER COLLABORATION WOULD PROBABLY SOUND LIKE IN THE YEAR OF OUR LORD 2015.
“The Victors” could soon have a modernistic younger sibling.
If a resolution presented to the Central Student Government on Tuesday night passes, the body will provide funding to a group of students looking to develop an additional thematic song to play at University athletics events.
Central Student Government.
I don't know who you are. If you're looking for jobs I can tell you I don't have any. But what I do have are a very particular set of skills. Skills I have acquired from the internet. Skills that make me a nightmare for people who will be in job interviews with people who have googled you. If you vote this down unanimously, that'll be the end of it. I will not look for your facebook photos. I will not scour your instagram. But if you vote for this, I will find your linkedin. I will find your whole internet. And I will kill your search results.
dude annihilated his twitter page two seconds after I found it
The patient zeroes:
Business sophomore Adam Weiss, a representative on the CSG Assembly, spoke on behalf of the song campaign, which he called “Hail and Unite.” He said his friend, LSA senior Mike Weinberg, conceptualized the project.
“This project is meant to be, number one, extremely unique,” Weiss said. “The goal of this song is to get a lot of big names that are associated with the University.”
"Extremely unique." #expelAdamWeiss